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Appliances are stepping out of a supporting role and taking centre stage, acting as the jumping off point for today’s kitchen designs. Designer Amanda Aerin says KitchenAid^® brand’s bold new finishes, such as Juniper and Black Ore, are inspiring a more personal approach to design that gives homeowners the bespoke feel they’re looking for.

Q&A

HOUSE & HOME: Why are bold appliances so popular right now?

AMANDA AERIN: In the past, homeowners chose their cabinets first and appliances came later. Now, people are looking for something different and they’re using appliance finishes as the starting point for the entire kitchen.

For the first time in decades, appliances are becoming the driver of design style.

H&H: Green hues are on trend; what makes Juniper a great choice for the kitchen?

AA: Green is one of those rare colours that feels approachable and versatile. Juniper works beautifully with brass, marble and natural materials, while its rich, matte finish creates warmth and depth. It’s sophisticated but easy to live with.

H&H: How would you describe Black Ore?

AA: Black Ore is quiet luxury. It reminds me of the interior of a sports car. It’s unexpected and incredibly elegant. It creates a lounge-like feeling in a kitchen and adds a level of sophistication people don’t expect from an appliance finish.

H&H: What KitchenAid appliance features are you excited about?

AA: The best technology makes life easier. With these appliances, you can be outside with family and friends and use your phone to peek at the cookies in the oven; it’s almost like having a personal chef. I also love the refrigerator’s water-fill feature: place a bottle underneath and it automatically fills and shuts off on its own.

H&H: The Custom Hardware Accessory Kits are a unique feature of this collection. Why is that exciting from a design perspective?

AA: It gives homeowners so much flexibility. You can mix and match hardware finishes to coordinate with your faucets and fixtures or update them as your style evolves. It also makes it easier to upgrade appliances over time. For example, if you replace a range, you can choose a new finish and simply select hardware that works with the rest of your kitchen. It’s a practical way to achieve a more custom, designer look without replacing everything at once.

H&H: What makes this collection approachable for homeowners planning a kitchen update?

AA: What I find especially exciting is that these finishes allow homeowners to make a significant design statement without taking on a full-scale renovation. Because the appliances can be integrated into existing kitchens, people can introduce colour, personality and a more custom look while working within their budget and timeline.

H&H: The kitchen has become one of the most social spaces in the home. How do you design for both everyday living and entertaining?

AA: For me, the kitchen should feel like a lounge. I love mixing wood with painted materials, different stones and mixed metals to create a space that feels warm and inviting – almost like a beautiful boutique hotel. I try not to make kitchens feel too “kitcheny” because we all know the best parties end up there. It’s where great conversations happen so the design should encourage people to gather and stay.

COMING THIS FALL

“There is such a need for a creamy, warm white appliance,” Amanda says. With its warm, contemporary finish, Porcelain White will complement bold tile, statement wallpaper or coloured cabinets, proving a classic white kitchen can still feel fresh and full of personality.

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Food photographer and recipe developer Rebecca Wellman’s new cookbook, At the Brunch Table, features recipes from Victoria’s best brunch spots (the city is widely recognized as the brunch capital of Canada), plus her own sweet and savoury brunch staples.

Don’t miss the Savoury Dutch Baby with Capers and Lox, Toasted Sesame and Coconut Granola with Vanilla and Orange, and Roasted Cauliflower and Smoked Cheddar Strata. We’re sharing all three brunch recipes below!

Savoury Dutch Baby with Capers and Lox

“Dutch babies, sweet or savoury, are worth mastering. The giant Yorkshire-pudding-like ‘pancake’ makes for a beautiful presentation, comes together easily and is extremely versatile: you can fill it with everything from strawberries and whipped cream to pizza toppings.” — Rebecca Wellman

Toasted Sesame and Coconut Granola with Vanilla and Orange

“This granola, which I really wanted to taste ‘toasty,’ has the addition of a wee bit of toasted sesame oil, countering the sweetness of the coconut and maple syrup and adding an interesting depth to the crunch.” — Rebecca Wellman

Roasted Cauliflower and Smoked Cheddar Strata

“I wanted to come up with a recipe that incorporated one of my favourite cruciferous vegetables: I was craving cheese and a bit of smoke and, of course, the sweet tenderness of roasted cauli! Put all of those together and this delicious strata is the result.” — Rebecca Wellman

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“Serve this cauliflower and cheddar strata with a crisp green salad and a side of bacon. We have endless bakeries in Victoria to choose a great sourdough from, and I used Crust Bakery’s.” — Rebecca Wellman

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“This toasted sesame and coconut granola is a unique and delicious add-on for the brunch table, and the recipe easily doubles or triples, so it also makes for a great mason jar gift.” — Rebecca Wellman

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California designer Chloe Redmond Warner’s love of colour is evident in her first design book, This Must Be the Place: Homes with Atmosphere (Abrams Books, 2026, $68).

The pages of her debut book are full of charming trad touches, such as skirted tables, rich expanses of tile, and bold floral patterns, but it’s the juicy use of colour that really makes it a standout. “For the reader, I hope it will spark some bravery to think of a wonderful time in their life,” says Chloe of the book. She encourages readers to be bold, sidestepping timid moves like a feature wall and instead embrace impactful hues.

Scroll through for her exclusive advice on committing to colour, plus see how she’s used some of her favourite tried-and-true shades in projects.

Each chapter opens with a “Style Guide” adapted from the mood boards Chloe presents clients at the beginning of each project; what she calls a “sourdough starter” for the design. In the book, she walks readers through her process step by step for those looking to inject creativity, fun, and colour into homes.

House & Home: Your work uses colour so assuredly. Is this something that your clients are increasingly asking for, or do you have to convince them?

Chloe Redmond Warner: Both. Some clients come to us because they already want colour and pattern, but others need help getting comfortable with it. Usually, once they see how colour can make a room feel warmer, happier, and more personal they become enthusiastic. Nothing brings emotion like colour.

H&H: How do you decide on a colour palette for a home?

CRW: I think in colour combinations rather than individual favourite colours. Every colour has potential, and its mood can be amplified by those around it. We often begin with a textile, wallpaper, artwork, or something already meaningful, then build a palette that supports the atmosphere we want the home to have.

H&H: Where would you recommend using bold colours?

CRW: Anywhere you want to create a distinct mood. Dining rooms, libraries, powder rooms, and game rooms are natural places to be brave, but I also love colour in bedrooms and kitchens. I don’t think bold colour needs to be confined to a small room or treated as a decorative event.

H&H: Do you usually choose paint colour first?

CRW: Not usually. Paint is part of a larger composition, so I get a feel for the textiles, rugs, art, architecture, natural light, and the relationships between rooms first. A pattern in a textile or piece of art can inspire the colour of one room… or five.

H&H: What are the biggest colour mistakes homeowners make?

CRW: Fear-based decorating like relying on a single “pop of colour,” painting one accent wall, or assuming that everything else must be neutral. Colour looks more intentional when it is repeated, layered and relates to others throughout the house. Another mistake is choosing colours individually rather than considering what you will see through the doorway into the next room.

H&H: Are there any specific paint colours or finishes you recommend?

CRW: Colours that feel connected to nature and colours with depth: muddy greens, softened blues, terracottas, ochres, warm reds, and nuanced pinks. I consider blue a neutral, and I have used the same timeless green in my own bedroom and in clients’ homes.

H&H: Which colours tend to age well over time?

CRW: I return to colours with some complexity. Shades that shift with the light and don’t feel overly bright or synthetic. Farrow & Ball’s Calke Green, Inchyra Blue, Red Earth, Dead Salmon, Light Blue, and Parma Gray have all worked beautifully in our projects, as has Benjamin Moore’s Mediterranean Olive. But the right colour depends on the room, the light, and what surrounds it.

H&H: What paint finishes do you recommend for different rooms?

CRW: I generally prefer walls and ceilings to have a soft, low-sheen appearance, with a little more durability and definition on trim, cabinetry, and doors. In kitchens, bathrooms, and other rooms where practicality matters, but I still want the finish to support the atmosphere rather than look overly glossy or clinical.

H&H: Should trim, ceilings, and doors all be the same colour?

CRW: Painting the walls, trim, doors, and ceiling in one colour can make a room feel enveloping and calm but there is no universal rule. Sometimes contrast helps clarify the architecture. In other rooms, carrying one colour across every surface lets the furnishings, artwork, and pattern become the focus.

H&H: How can readers incorporate colour if they are nervous about committing?

CRW: Start by paying attention to what you already love, like the colours in a painting or a rug. But I would encourage people to move beyond one timid accent: repeat the colour, pair it with something unexpected, or let it travel into the next room. Confidence will follow when you see how much better the room feels. Go forth and be brave with colour.

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Get ready Montreal! King Living, the famed Australian furniture brand, is opening its 40th showroom, and Montreal’s Quartier DIX30 area is the chosen location.

If you aren’t yet familiar with the King Living story, it’s a great one. Founded in 1977, this family-owned business started with David King and mother Gwen handcrafting foam furniture, which they sold in markets across Sydney.

From those humble beginnings, the business has grown through global expansion across the U.K., Canada, New Zealand, Singapore, Malaysia, China and the U.S.

Here in Canada, Vancouver’s King Living store was the brand’s first North American showroom in 2019. Then came Calgary and, recently, Toronto’s 14,500-square-foot store in the Castlefield Design District.

The core of the King Living line is modular seating that clients can customize using more than 200 fabrics, leathers, finishes and smart accessories.

Renowned for its award-winning design and innovation, King Living is a brand offering exceptional craftsmanship and quality. The showrooms offer full service from expert consultants. Fit for a king, obviously!

King Living

Suite 30, Unit F19B

8240 Leduc Boulevard, Quartier DIX30,

Brossard, Que.

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When Richard Calder laughs and says, “I don’t have trouble getting crew for Chester Race Week,” it’s not bravado, but the outcome of a successful strategy.

Racing a 40-foot J/120 with nine to 12 crew at one of the East Coast’s most prestigious sailing events means having an attractive place for the crew to stay when the sails come down. With that in mind, he created a welcoming home away from home for his loyal crew.

Richard owns jewelry retailer Charm Diamond Centres, which has stores across Canada. He began sailing his boat, Brilliance, in Chester Race Week in 2000 and purchased his first home in Chester in 2015. He still has the house, located on the town’s picturesque Back Harbour. “It’s a small place with two bedrooms and a wharf for the boat, but there’s no room for crew, family or summer guests,” says Richard. His initial solution for crew accommodation was to purchase a garage with a loft on the other side of Back Harbour, though it wasn’t on the water. This was a good temporary measure, but he had his eye on an 1,800-square-foot, three-bedroom, two-and-a-half-bath house nearby. In 2024, Richard bought what would become his yacht crew house.

Soon after, he hired designer Jonathan Legate to increase the house’s capacity and make it more beautiful and functional. There were a few caveats: Richard didn’t want to build an addition, he didn’t want to lessen the home’s summer cottage character, and it needed to be ready in less than 10 months for Race Week in August 2025. “The main floor felt awkward, we needed an extra bedroom, and I wanted to add a principal ensuite,” says Richard.

Jonathan rolled up his sleeves and got to work on the design plan. “I found square footage for an ensuite upstairs and added a bunk room using space from the stair landing,” says the designer. “Downstairs, what was once the living room became the dining room, and we widened a doorway to the kitchen and built a bar in that space, which looks through to the new living room while giving the kitchen an extra work surface.”

One of Richard’s favourite features is the stone fireplace in the living room. “It was a major budget item, but it was worth it; it’s a great focal point,” he says. And the wallpaper on the dining room and kitchen ceilings? Designer and homeowner agree that it’s part of what gives the house its exuberance and unique style.

With these tweaks to the floor plan, Jonathan created the required extra sleeping areas, as well as living space that worked better when a large crew was in residence. Along the way, the kitchen and existing bathrooms were also renovated, all windows were upgraded and the exterior got a refresh, going from taupe to white, with a sky blue–painted veranda ceiling and bright red front door.

As a youth, Jonathan spent many summer days in Chester and fondly remembers the town’s cottage style. “Many houses were seasonal and intentionally not like people’s places in the city,” he says. “They were fun, relaxed and meant to celebrate summer.” These memories guided Jonathan’s eclectic mix of colour, pattern, antiques and maritime art, as did Richard’s fondness for blue, creating a contemporary but unmistakably nautical aesthetic.

Tilework is a standout element here, which is stylish and practical. “When we were in the planning stages, Richard wondered if it might be too much tile, but it works for the house by creating interest and texture, and it’s easy to maintain,” says Jonathan.

“Painting the floors white and using neutrals like jute rugs helps ground the bolder colours,” says the designer. “And punctuations of other strong colours like red, plus the patterned wallpapers and bedding keep it all in balance.”

Race Week is about competition by day and camaraderie by night — and this house embraces that tradition wholeheartedly. It’s a party house: there’s an easy flow of spaces downstairs including the new bar, and the living areas open to the spacious wraparound veranda on three sides, plus it’s close to a barn on the property that Richard recently had rebuilt for gatherings — all reasons why this house is the premier Race Week address.

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In this edition of Ask A Designer™, Gillian Atkins, senior designer at Lynda Reeves Design Studio (LRDS), shares advice for refreshing a bedroom. Take a look!

Q: I want to redo everything in my bedroom; it feels dated. I’m open to anything you suggest — furniture, paint, floors, anything! — D.K., Toronto

The goal is to give you a new trad look that balances light woods and darker accents. Replace your wall-to-wall carpeting with engineered wood flooring. If you have wood throughout the rest of the house, match it. (If not, choose a mid-tone oak plank floor.) You’ll need new furniture: buy an upholstered bed and place two swivel chairs at the foot. Buy nightstands and swap out the dresser for a shallow cabinet (preferably in a dark colour).

Get a millworker to build you custom drawers in the alcove under the TV and paint them the same colour as the rest of the room. Try colour drenching the room in a warm taupe like Benjamin Moore’s Stone Hearth. Painting the walls, trim, doors and ceiling bulkhead all one shade will help open up the space. Finally, ground the furniture with a vintageinspired rug, and bring in terracotta linen drapes and graphic patterned throw pillows to add life. Enjoy a timeless update to your bedroom!

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Designer Karin Bennett designed this newly built six-bedroom Kawartha Lakes cottage to feel like a European farmhouse. Set into the woods on 150 feet of waterfront, the cottage features 10-foot ceilings, expansive glazing with views of the lake, and a beautiful kitchen with dark wood cabinets, reeded details on the island, warm-veined porcelain stone and a 48-inch La Cornue range. In the great room, a built-in bench doubles as storage, a reading nook and a game-table area, while a stone fireplace and concrete mantel anchor the room. Don’t miss the three-season room facing the lake, with a pitched ceiling, wood-burning fireplace and heated concrete floors. “We’ve been working on this space for two and a half years and our clients are so happy with the result. They plan to keep this home in the family for generations to come,” says Karin.

The post Inside a Newly Built Cottage Designed to Feel Like a European Farmhouse appeared first on House & Home.

It’s no surprise we love small spaces at House & Home — we dedicate the entire September issue to this topic.

“There’s something about the efficiency of a well-designed small space that’s so appealing,” says Emma Reddington, H&H’s deputy editor. “Everything is where you need it, and your movements and actions are minimized. It’s like a well-choreographed dance — so satisfying.” Everyday dishes within reach, sufficient space to prep food, easy access to baste the roast in the oven and plenty of hidden storage. These compact kitchens don’t sacrifice stylish, bold design.

Below, see small kitchens that do more with less! Plus, get your copy of our Small Spaces issue today!

British-style Guest House Kitchen

Kitchen size: Approx. 90 Square Feet

The owners of this vacation property wanted to transform a 30-year-old suite over their garage into a special two-bedroom guesthouse for visitors. They asked designer Cynthia Ferguson to bring her signature look: a lively pastiche of bold colours and even bolder patterns.

The wall dividing the kitchen from the living space really sings. Seeing the kitchen through the glass is just so unique. — Designer Cynthia Ferguson

Designer Cynthia Ferguson painted the door frame, mullions and wainscotting a standout grass green to frame the kitchen. The wall colour is Richmond Green (553) by Benjamin Moore.

The homeowners were encouraged to go “full CFD” with pattern on pattern. We affectionately dubbed it the Christopher Farr Loft since we used so many of his wallpapers and fabrics. The original enamel appliances and backsplash stayed, but Cynthia updated the cabinets and carved out a work area under the window.

Parisian-inspired Condo Kitchen

Kitchen size: Approx. 130 Square Feet

Empty-nesters Amy and Scott Jackson were ready to downsize their Toronto home, but they weren’t looking for a white box in the sky. After finding a 1,245-square-foot, two-bedroom condo nearby, they hired designer Cindy McKay to tackle the interiors. With a Parisian-style apartment serving as inspiration, their condo is a place to comfortably work from home, and host their kids when they’re in town.

The marble tile backsplash has a 3D-like effect around the copper vent hood. During the reno, a wall separating the kitchen cabinets from the laundry closet was removed; a new run of cabinets now conceals the washer and dryer, plus the fridge and pantry.

They also installed a microwave in the coffee station, which is concealed behind pocket doors when not in use.

Mid-century Rustic Kitchen

Kitchen Size: Approx. 264 Square Feet

Alana Firestone and Jordy Fagan of Collective Studio were asked by Krista Ricciatti and Tom Redman to tweak the floor plan and deploy their signature mix of textures, organic shapes and soft colours for a redo in their Guelph, Ont., home. The white oak island has whimsical turned legs while white flush-mount light fixtures make the ceiling feel higher.

Alana Firestone (left) and Jordy Fagan removed the back wall and installed five windows, a sliding door and cosy breakfast nook. “We opened up this part of the house to create a more modern flow for this young family,” says Jordy.

The renovated kitchen allows for more light to enter the space, giving it a brighter feel. Creamy V-groove panelling helps break up a long stretch of wall and is contrasted by soapstone counters and a white oak island with turned legs. The unlacquered brass faucet will patinate over time, while the soapstone counters look naturally aged.

Shelves inset on either side of the custom niche provide great storage. “It’s nice to hide everything away yet have easy access to the things we need,” adds Krista. “It’s easily one of my favourite parts of the kitchen.”

Krista wanted a walk-in pantry, but it didn’t fit into the new layout. Instead, a built-in hutch with an antique look houses the appliance garage, linens and dishware. “The unit has grasscloth details on the doors and a patterned wallpaper on the interior; it looks like an antique piece,” says Alana.

Glam Condo Kitchen

Kitchen Size: Approx. 169 Square Feet

In this downtown Toronto condo, owner Seema Shah wanted a fresh start. “My initial vision was French Art Deco, with lots of black, white and grey, but then I thought, how do I bring in my Kenyan influence?” The new layout required removing the wall dividing the kitchen and living spaces, and enlarging the kitchen. “Seema loves to entertain, and the peninsula between the kitchen and the living area provides enough space to seat everybody during a party,” says designer Jodie Rosen. “She wanted to be playful and have fun — and she wasn’t afraid of colour.”

Sleek Eat-in Kitchen

Kitchen Size: Approx. 160 Square Feet

In this 110-year-old Toronto duplex, an island didn’t make sense in the compact kitchen so, instead, designer Emilia Wisniewski of Studio 1NINE1 proposed a custom dining table. She set up cardboard boxes to test out the proportions before commissioning the fabrication. “The dining table has the functionality of an island, but if they want to throw a dance party, they just move the table,” says Emilia.

Colourful English-style Galley

Kitchen Size: 104 Square Feet

Although designer Justine Dunk had originally planned to remove the load-bearing wall between the kitchen and dining room in her clients’ Upper Beaches Victorian-era home, they decided on a revised galley kitchen layout due to budget constraints, and the desire to maintain the heritage home’s integrity. “The design is very much inspired by English country and Victorian interiors,” says Justine. “Shaker-style cabinetry, the farmhouse sink and unlacquered brass hardware add character, a sense of history and charm to this small space.”

“I think in a small space people are sometimes afraid of pattern or bold color choices, but when done correctly they can actually make a room feel larger — and they definitely add personality,” says Justine. While the original plan was to install classic black and white marble basketweave floors, they discovered a checkerboard tile pattern below the more recently installed linoleum and wanted to honor this original detail. The sage green cabinets in Farrow & Ball’s Calke Green are topped by honed black granite counters, and softened by Farrow & Ball’s Tailor Tack for the walls.

As for Justine’s #1 piece of advice for designing a petite kitchen: concealed storage and appliances. “We chose panel-ready appliances so that the millwork design could remain uninterrupted, creating the illusion of a larger space,” she says. The refrigerator, dishwasher, garbage/recycling station are all integrated into the cabinetry for a seamless look.

“The open shelf along the south wall allows some breathing room and creates a sense of lightness which is so important in a narrow room,” says Justine. A dedicated spot on the counter space serves as a coffee station for coffee and espresso makers, while glassware is housed above. “Having these dedicated areas also helps with the flow in a small space. People aren’t reaching over each other to grab the items they need.”

Church-conversion Loft Kitchen

Kitchen Size: Approx. 105 Square Feet

When designer Nicci Harrison of Studio Cajole was hired to reimagine her clients’ church-conversion loft, it was filled with builder-grade finishes and inefficient spaces. “The kitchen cabinets didn’t go to the ceiling, so were missing out on a lot of potential storage; it look stunted and cluttered.” The original kitchen also had a little peninsula that cut off the kitchen from the rest of the open dining room. “To remedy this we looked to European kitchens with the long galley style and a dining table floating in the middle. This made it feel much more open and inviting,” says Nicci.

To keep the kitchen feeling light and airy, Nicci chose white oak for the lower cabinets, with a mix of open and closed storage above. “In a small kitchen, try to leave one wall without upper cabinetry. Play with wall treatments like tile, wood paneling, wallpaper and even a pot rail or open shelf or two,” says Nicci.

“Going custom is the most efficient way to maximize every nook and cranny,” adds Nicci, who balanced the open shelf with lots of closed upper storage. A custom appliance garage hides everyday items and small appliances.

Moody Townhouse Kitchen

Kitchen Size:  Approx. 85 Square Feet

According to designer Emilia Wisniewski, when space is at a premium, an open kitchen layout can be transformative. “By removing non-essential walls or barriers, it creates a seamless flow between the kitchen and adjacent living areas. This not only makes the kitchen feel larger but also fosters better interaction and movement within your home,” she says. Emilia also believes that small spaces don’t need to be white and bright. For her client’s downtown Toronto townhouse kitchen, custom oak cabinets in a black stain are topped by dark quartzite countertops for a moody, “goth apothecary vibe.”

When in doubt, go custom. “Tailored solutions like integrated appliances, pull-out pantries, corner drawers, and cabinets that extend to the ceiling can dramatically increase storage capacity,” says Emilia. The designer also uses smart technology to maximize efficiency in small spaces. “From dishwasher drawers, to smart refrigerators that can manage your grocery list to induction cooktops that save space and energy, integrating technology can enhance both the functionality and aesthetic of your kitchen,” says Emilia.

Guest Cabin Cottage Kitchen

Kitchen Size: Approx. 160 Square Feet

In the case of this guesthouse on Muskoka’s Lake of Bays, the magic is in the kitchen. Hidden pantry doors, integrated lighting and appliances, and a uniform colour palette are some of the ways this design team made the tiny kitchen feel more expansive than it is. “Efficiency is key but that does not have to compromise the design; take the small layout and run with it – great design comes from challenges and site conditions, so don’t be scared to think out of the box,” says designer Clarisa Llaneza.

“Guests might think the double door leading to the bedroom corridor could easily be a fridge or a pantry, giving the impression of a larger kitchen,” says Clarisa. “We wanted to maintain a symmetrical and discreet look.”

Stylish Rowhouse Kitchen

Kitchen Size: Approx. 110 Square Feet

“In a rowhouse, there’s not a huge amount of space for a kitchen,” says fashion stylist and homeowner Erica Wark of the Victorian house she shares with husband Corey Laurysen, a third-generation owner of Laurysen Kitchens. Because the kitchen is petite and open to the rest of the house, the design team made sure to use visual, material and colour cues that would connect it to the rest of the main floor’s eclectic schemes. “The plaster crown was added to match the one we selected for the whole main floor,” says Tommy. “Here we chose the same profile but a scaled-down version to connect better with the scale of the millwork.”

“The panel-ready cabinets make it look so much cleaner and more sleek,” says Erica. The Liebherr fridge is concealed behind a panel that’s as stately as a fine armoire. Two drawers, dressed in brass cup handles, pull open to reveal the freezer.

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